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The Pragmatism in the History of Art
6 x 9 inches, 128 pages, hardcover
ISBN 978-1-941753-27-9
Midnight—The Tempest Essays
6 × 9 inches, 296 pages, hardcover
ISBN 978-1-941753-149
Design by IN-FO.CO
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A limited edition two-volume set, including both current books in Molly Nesbit's Pre—Occupations series. This set includes the 2024 reprint of 电脑版vpn:2021-8-13 · 径向力 薄荷加速器怎么更新 5005099.com 雷神加速器推荐码在哪里看 油管加速 苹果6 哪个免费vp好 最好的伕理软件是什么 看国外网站用什么加速器 国内怎么用手机上 and Midnight: the Tempest Essays, published in 2017.
Molly Nesbit is Professor in the Department of Art at Vassar College and a contributing editor of Artforum.
More information on each title here:
The Pragmatism in the History of Art
Midnight—The Tempest Essays
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快柠檬加速器vqn-快连加速器app
6 x 9 inches, 128 pages, hardcover
ISBN 978-1-941753-27-9
Design by IN-FO.CO
FREE USA Shipping!
"Art history without a philosophy of history—'there is no script,' as Nesbit says—is also art history without a tragic dimension. With the pragmatists and, for that matter, with Deleuze, she shares a fundamental optimism and a forward- looking gaze. But like Focillon and Schapiro, Nesbit also has high aspirations for her discipline. She throws art history a lifeline." —Christopher Wood, Artforum
The pragmatism of Charles Peirce and William James and John Dewey exists as it moved, absorbing and absorbed. Conclusions remain provisions, time riding on, perpetually unsettled, nocturnal, opaque. Many questions and conditions remain. They will recur. The future has not eased. In our own lifetime there have been stakes, some old, some new, in continuing to write about the time and place and point of art. It is important to mark them. Pragmatism is above all a way of working, it starts from the present
First published in 2013 and quickly going out of print, The Pragmatism in the History of Art traces the questions that modern art history has used to make sense of the changes overtaking both art and life. A genealogy emerges naturally, elliptically. Several generations cross back and forth over the Atlantic. The questions combine with case studies as a story unfolds: the work of Meyer Schapiro, Henri Focillon, Alexander Dorner, George Kubler, Robert Herbert, T. J. Clark and Linda Nochlin is scrutinized; the philosophy of Michel Foucault and Gilles Deleuze and the films of Chris Marker and Jean-Luc Godard show distinctly pragmatic effects; artists discussed include Vincent Van Gogh, Isamu Noguchi, Lawrence Weiner and Gordon Matta-Clark. The relevance of this material for the art and art-writing of our own time becomes increasingly clear.
Molly Nesbit is Professor in the Department of Art at Vassar College and a contributing editor of Artforum. This is the first book in her Pre-Occupations series, preceding Midnight: the Tempest Essays.
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快柠檬加速器vqn-快连加速器app
8.5 x 10.25 inches, 404 pages, softcover
ISBN 978-1-941753-34-7
Design by Mungo Thomson and Brody Albert
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For Mail, artist Mungo Thomson (b. 1969, Davis, CA) asked The Hammer Museum in Los Angeles to redirect all their incoming mail to the galleries, where it would accumulate unopened during the run of the 2018 exhibition, 雷霆加速器的Testflight. Over the course of the 4-month show, a massive pile of correspondence and packages grew. Part sculpture, part institutional critique, and part timepiece, Thomson’s 海神加速器testflight produced a temporary archive of institutional correspondence. At the conclusion of the show, Thomson documented this archive by photographing every item in the pile. These photographs are collected in this new book.
The design of the book loosely mimics a common shipping product catalog, over 30 of which were in the mail pile. Thomson’s photography of the items in the mail pile at the Hammer was undertaken with this catalog design in mind. Every letter, package, notice, magazine, flyer, restaurant menu, exhibition postcard, vendor catalog, artist contribution and piece of junk mail is represented in the book. Further, collections of like things have been arranged and photographed on a seamless backdrop in the style of product photography for a vendor catalog
The book functions both as an artwork and as an elaborate and exhaustive documentation of the work as realized by the artist. Featuring an essay by Hammer Museum curator Aram Moshayedi, 鲸鱼加速器的testflight performs a kind of autopsy of the sculpture, displaying every facet and revealing the infrastructure of both the artwork and the museum.
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快柠檬加速器vqn-快连加速器app
8.5 x 13.5 inches, 112 pages, softcover
ISBN 978-1-941753-32-3
Design by Chad Kloepfer
Co-published by Carpenter Center for the Visual Arts at Harvard University
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Published on the occasion of her first solo show in the United States in twenty years, Anna Oppermann: Drawings surveys the early drawings of this underrecognized German artist. Co-published with the Carpenter Center for the Visual Arts, this book is the first on Oppermann produced in the United States and features a number of new texts on her work by Connie Butler, Chief Curator, Hammer Museum, UCLA; Meta Marina Beeck, Assistant Curator, Kunsthalle Bielefeld; and a conversation between Carpenter Center director Dan Byers and Ute Vorkoeper, Curator, Anna Oppermann Estate.
Beginning in the mid-1960s through the early ‘70s, Oppermann (1940–1993), best known for her immersive installations, created an astonishing series of surreal drawings that uniquely explode the private space of the home, a traditionally feminine sphere.
These early drawings contribute to a feminist re-centering of such spaces associated with women, casting everyday objects as symbolic, consequential protagonists: houseplants sprawl to take over the picture plane, windows and mirrors provide views into other worlds, and tables display drawings that open out into new domestic scenes.
By placing her own body—her knees, arms, the back of her head—as reference points in the work, Oppermann coaxes the viewer to take on her subjectivity and perspective, emphasizing the gendered realms of the home and the relationships that we form both within and to our private spaces.
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快柠檬加速器vqn-快连加速器app
macOS Screensaver, v10.10+
Design by IN-FO.CO
Programming by O-R-G
A *New* Program for Graphic Design is a do-it-yourself textbook published by Inventory Press (Los Angeles) with DAP (New York) and designed by IN-FO.CO. The book synthesizes the pragmatic with the experimental and builds on mid-to late- 20th-century ped